"Earth is round, Time is short"
.
... a bit about the Tablas from Northern India
.
The tabla, as it looks today (and as the pair shown on the left),  is believed to exist in Northern India since 300 to 400 hundred years ago. 

However, the ancient religious Vedic indian texts mention that some drums took already part to the ritual ceremonies. No evidence remain of these drums today but it seems the influence of the arabic invasions in India through the centuries has probably contributed to its evolution until it becomes the Tabla we know. (the name Tabla itself is a battle field claiming several cultural influences...)

Listen to a typical Tabla solo (131 k)


The "dayan" drum (light, played with the right hand) has the highest pitch of the two and is usually tuned to the tonic of the raga in which the musicians are playing it is played with fingers. It is often made of teckwood or rosewood, carved in a bowl shape and covered with skin.

The "bayan"drum (heavier, played with the left hand) is not tuned to a particular note, as  its pitch varies in vocal-like inflexions and glides by gentle pressure and the position of the wrist resting on the head. It is made of a metal or brass bowl covered with skin.

Whatever used primarly in Indian classical music, Tabla has well  both "Notes" and "Rythms" and fit surprisingly many today's music styles.Tabla players sit down and play jointly with other traditional instruments (Sitar players, singers...etc), never playing only an accompanying rythm, but a close wide rytmic and melodic support to the tunes, tones and variation of the melodies. Its unique and very difficult playing technique make some people believe that it takes at least 10 years of practice before one can consider himself playing Tabla correctly...

and ... listen to a master Tabla solo (302 k)


(Indian Tabla guru Zakir Hussain)