The
Major scale is dominant in western music, however, there are many
other, less common scale types which also play a significant role
in different areas of western music, and several others besides
that are widely used in the music of other cultures.
While
music can be written directly in one of any these scale, they
are also often used as the framework for improvisation, the playing
of a spontaneous melody line over a backing chord sequence.
1.
The Minor Scales :
The
Harmonic Minor and Melodic Minor scales are both distinguished
from the Major scale by the semitone (rather than tone) interval
between the second and third notes. The
difference between the Harmonic and Melodic Minor scales is the
second last interval - the Melodic Minor uses a 6 degree, like
the Major, while the Harmonic Minor contains the extra alteration
of this being a b6 degree.
Harmonic
Minor |
1
2 b3 4 5 b6 7 |
Melodic
Minor |
1
2 b3 4 5 6 7 |
2.
Pentatonic & Blues Scales :
The
Major Pentatonic, Minor Pentatonic and Blues scales are common
choices for improvising with rock and blues. The pentatonic
scales contain 5 notes, and the blues scale contains 6 notes.
Major
pentatonic |
1
2 3 5 6 |
Minor
pentatonic |
1
b3 4 5 b7 |
Blues |
1
b3 4 b5 5 b7 |
The intervals in these scales fit in well with blues chord
progressions, which usually include a liberal amount of dominant
seventh (7).
3.
The Symmetric Scales :
The
Whole Tone and Diminished scales are called symmetric scales,
a term used for scales where more than one root note will result
in the same set of notes.
Whole
tone |
1
2 3 #4 #5 #6 |
Diminished |
1
2 b3 4 b5 b6 6 7 |
The
Diminished scale is slightly more complex in nature and sound,
with alternating semitone and tone intervals. There are
three distinct sets of notes which this scale can produce, depending
on the root note.
4.
Bebop Scales :
Both the Major Bebop and Dominant Bebop scales are based on the
Major scale, but with an extra note added, giving a characteristic
chromatic run of three notes separated by a semitone.
Major
bebop |
1
2 3 4 5 b6 6 7 |
Dominant
Bebop |
1
2 3 4 5 6 b7 7 |
These scales started to appear in jazz improvisation in the 1960's
(Bebop itself is a style of jazz) as a way of achieving a more
melodically interesting and complex sound.
5.
Exotic Scales :
These
exotic scales are used in music of Eastern Europe, Asia and the
Middle East. Although not often appearing in western music,
it is useful to compare them to the other scales.
Japanese
In Sen |
1
b2 4 5 b7 |
Double
Harmonic |
1
b2 3 4 5 b6 7 |
Enigmatic |
1
b2 3 b5 b6 b7 7 |
All these scales make a distinctive sound. When played,
they can evoke strong echoes of the traditional or contemporary
music originating from these cultures.
6.
Major Scale Modes :
We
can arrange the notes of the Major scale in seven different ways,
each starting on a different note of the Major scale. These
related scales are known as the modes of the Major scale.
All
of the modes of the Major scale are shown below. (The standard
sequence of intervals of the Major scale that we have used until
now is called the Ionian mode. Remember that the modes of the
Major Scale are all based on the same fundamental set of intervals,
which are just shifted by one position between each mode.
Ionian |
1
2 3 4 5 6 7 |
Dorian |
1
2 b3 4 5 6 b7 |
Phrygian |
1
b2 b3 4 5 b6 b7 |
Lydian |
1
2 3 #4 5 6 7 |
Mixolydian |
1
2 3 4 5 6 b7 |
Aeolian |
1
2 b3 4 5 b6 b7 |
Locrian |
1
b2 b3 4 b5 b6 b7 |
The
modes of the Major scale are most widely used in jazz and rock
improvisation. They are useful because each mode tends to fit
well with particular chord types.
At
first, modes may seem to introduce an extra-complexity, but their
value is in providing more handles for the Major scale. An accomplished
musician may quickly select an appropriate mode for improvising
over a particular chord. |